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Androgyne. Forbidden Topic. 18+

 12,35  11,33 excl. btw

Weight 0,7 kg
Description

The brightness of the writer Natalia VIKO is comparable to the brightness of the images she creates. It’s amazing how one, even a very talented, person can have so many hypostases! The writer is the author of stories and novels of various genres: “The Egyptian Notebook”, “Spiders in a Jar”, “Jacob’s Windows”, “Mosaic of Love and Death”, “The Body Black, White, Red”, “Game for Hunting Companions”, “Schizophrenia”. Historian – specialist in pre-revolutionary Moscow, candidate of historical sciences. Egyptologist, studying the secret wisdom of Ancient Egypt, therefore – she prefers to call herself “Egyptosophist.” Public figure – vice-president of the Association for the Development of Cultural and Scientific Relations of Egypt with Russia and the Former Soviet Republics. Screenwriter – author of the script of the sensational feature film “Fall Up” based on her own story “Woman in the Interior of Happiness”, documentaries “Savva Morozov: Deadly Game” and “Fatal Love of Savva Morozov”. A subtle photo artist, for whom the camera, in fact, became a “third eye”, which is brilliantly revealed in her photo album “Mania-Magic of Egypt”. A parapsychologist recognized by the international community and possessing phenomenal qualities. Another facet of her talent is amazing improvisations on glass, created in a unique technique, which are not accidentally called – “Meditative Glasses of Natalia Viko”. Natalia literally conjures over each of her works, putting in mysterious vibrations of her own soul, which is why, looking at the interweaving of lines and colors, you essentially plunge into a meditative state, floating away from everyday life and vanity and charging yourself with light and pure energy. Natalia VIKO’s new novel “Androgyne. Forbidden Topic. 18+”, published in Moscow in a limited edition in the spring of 2013, is a subtle and surprisingly optimistic book about the kind of love that, for reasons of dominant morality in Russia, is now not accepted to talk about or write about. And therefore, the book is bold and unexpec

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